(1) 艾祺.Queers uploaders on Douyin: traffic chasing, identity expression, and media regulation.Feminist Media Studies .2024 (online first)
(2) 艾祺.Why The Knockout (2023) Became a Phenomenal Hit: a Contextual Analysis and Interview with the Screenwriter Zhu Junyi.Journal of Screenwriting .2023 (1):1
(3) 艾祺.Why The Knockout (2023) became a phenomenal hit: A contextual analysis and interview with screenwriter Zhu Junyi.Journal of Screenwriting (1)
(4) 艾祺.Big Shot’s Funeral: Sino-foreign Collaboration and Industrial Commercialisation.Chinese Cinema: Identity, Power, and Globalization, (1)
(5) 艾祺.New Year Films in Spring Festival: Documenting and Reviewing Life.IAMHIST.2023 (11)
(6) 艾祺.Mainland New Year Film: from Genre to Cinema Season, 1997-2004.Chinese Film in the 21st Century: Movements, Genres, Intermedia (1)
(7) 艾祺.Zhang Ce: Small-Town Youth Auteur Celebrity.2023
(8) 艾祺.Tiaokan and Comedy Aesthetics in Chinese Contemporary Commercial Cinema.2022
(9) 艾祺.Anti-spy films in 1978 and 1979: Revival and Transition.2021
(10) 艾祺.Cultivated for Industrial Revival: Mainland New Year Film, 1997-2009.2021
(11) 艾祺.The FIRST international film festival and its operation under the COVID-19 pandemic: an interview with Wen Song and Yinglong Tong.TRANSNATIONAL SCREENS.2023
(12) 艾祺.Product Placement in Chinese Cinema: From Resistance to Acceptance (1999–2009).Journal of Macromarketing.2023,43 (2):154-170
(13) 艾祺.Creative compliance and selective visibility: How Chinese queer uploaders performing identities on the Douyin platform.MEDIA CULTURE & SOCIETY.2023
(14) 艾祺.Barrier-free film screening in China: awareness, practice and suggestions.Disability & Society.2023
(15) 艾祺.A report on FIRST International Film Festival and an interview with young filmmakers.AsianCinema.2022,33 (1):81-106
