艾祺
Gender:
Male
School/Department:
新闻传播学院
Date of Employment:
2020-09-10
2024-04-18
[1]
艾祺.
Queers uploaders on Douyin: traffic chasing, identity expression, and media regulation.
Feminist Media Studies ,
2024.
2023-12-28
[2]
艾祺.
Why The Knockout (2023) Became a Phenomenal Hit: a Contextual Analysis and Interview with the Scr....
Journal of Screenwriting ,
1,
2023.
[3]
艾祺.
Why The Knockout (2023) became a phenomenal hit: A contextual analysis and interview with screenw....
Journal of Screenwriting ,
[4]
艾祺.
Big Shot’s Funeral: Sino-foreign Collaboration and Industrial Commercialisation.
Chinese Cinema: Identity, Power, and Globalization,,
2023-11-23
[5]
艾祺.
New Year Films in Spring Festival: Documenting and Reviewing Life.
IAMHIST,
2023.
[6]
艾祺.
Mainland New Year Film: from Genre to Cinema Season, 1997-2004.
Chinese Film in the 21st Century: Movements, Genres, Intermedia,
2023-05-19
[7]
艾祺.
Zhang Ce: Small-Town Youth Auteur Celebrity.
2023.
2022-05-06
[8]
艾祺.
Tiaokan and Comedy Aesthetics in Chinese Contemporary Commercial Cinema.
2022.
2021-11-11
[9]
艾祺.
Anti-spy films in 1978 and 1979: Revival and Transition.
2021.
2021-05-14
[10]
艾祺.
Cultivated for Industrial Revival: Mainland New Year Film, 1997-2009.
2021.
2023-03-23
[11]
艾祺.
The FIRST international film festival and its operation under the COVID-19 pandemic: an interview....
TRANSNATIONAL SCREENS,
2023.
2023-01-01
[12]
艾祺.
Product Placement in Chinese Cinema: From Resistance to Acceptance (1999–2009).
Journal of Macromarketing,
43,
154-170,
2023.
2023-05-18
[13]
艾祺.
Creative compliance and selective visibility: How Chinese queer uploaders performing identities o....
MEDIA CULTURE & SOCIETY,
2023.
2023-04-28
[14]
艾祺.
Barrier-free film screening in China: awareness, practice and suggestions.
Disability & Society,
2023.
2022-04-01
[15]
艾祺.
A report on FIRST International Film Festival and an interview with young filmmakers.
AsianCinema,
33,
81-106,
2022.
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